{"id":2494,"date":"2010-03-16T15:26:40","date_gmt":"2010-03-16T19:26:40","guid":{"rendered":"http:\/\/libweb.fau.edu\/blog\/?p=2494"},"modified":"2010-10-05T11:44:03","modified_gmt":"2010-10-05T15:44:03","slug":"women-film-directors","status":"publish","type":"post","link":"https:\/\/libweb.fau.edu\/blog\/women-film-directors\/","title":{"rendered":"Women’s History Month – Women Film Directors"},"content":{"rendered":"

Week of March 1, 2010 <\/strong>(updated version)<\/p>\n

In the News:<\/em><\/strong> To kick off Women\u2019s History Month, we offer titles on women film directors. Kathryn Bigelow, the first woman to receive the Director\u2019s Guild of America Award for Best Feature Film, is one of the nominees for this year\u2019s Oscar for Best Director (The Hurt Locker<\/em>, 2009). She is only the fourth woman to be nominated in this category and, this Sunday, could become the first ever winner.<\/p>\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Black Women Film and Video Artists<\/strong>
\n<\/em>Edited by Jacqueline Bobo.\u00a0 Routledge, 1998
\nCall Number: PN1998.2 .B57 1998<\/a><\/p>\n

Calling the Shots<\/strong>
\n<\/em>Produced and Directed by Janis Cole and Holly Dale.\u00a0 Direct Cinema, 1989
\nCall Number: VH 967<\/a><\/p>\n

Calling the Shots: Profiles of Women Filmmakers<\/strong>
\n<\/em>By Janis Cole and Holly Dale.\u00a0 Quarry Press, 1993
\nCall Number: PN1995.9.W6 C64 1993<\/a><\/p>\n

Cinematic Howling: Women\u2019s Films, Women\u2019s Film Theories<\/strong>
\n<\/em>By Hoi F. Cheu.\u00a0 UBC Press, 2007
\nCall Number: PN1995.9.W6 C44 2007<\/a><\/p>\n

Feminist Auteurs: Reading Women\u2019s Films<\/strong>
\n<\/em>By Geetha Ramanathan.\u00a0 Wallflower, 2006
\nCall Number: PN1995.9.W6 R355 2006<\/a><\/p>\n

Film Fatales: Independent Women Directors<\/strong>
\n<\/em>By Judith M. Redding and Victoria Brownworth.\u00a0 Seal Press, 1997
\nCall Number: PN1998.2 .R43 1997<\/a><\/p>\n

The Films of Jane Campion<\/em><\/strong>
\nProduced and Directed by Jane Campion.\u00a0 Women Make Movies, 1982.
\nCall Number: VH 3488<\/a><\/p>\n

Francophone Women Film Directors: A Guide<\/strong>
\n<\/em>By Janis L. Pallister and Ruth A. Hottell.\u00a0 Fairleigh Dickinson University Press, 2005
\nCall Number: PN1998.2 .P27 2005<\/a><\/p>\n

French-speaking Women Documentarians: A Guide<\/em><\/strong>
\nBy Janis L. Pallister and Ruth A. Hottell.\u00a0 Peter Lang, 2005
\nCall Number: PN1998.2 .P277 2005<\/a><\/p>\n

French-speaking Women Film Directors: A Guide<\/strong>
\n<\/em>By Janis L. Pallister.\u00a0 Fairleigh Dickinson University Press, Associated University Presses, 1997
\nCall Number: PN1998.2.P28 1997<\/a><\/p>\n

In the Mirror of Maya Deren<\/strong>
\n<\/em>Produced by Johannes Rosenberger.\u00a0 Zeitgeist Video, 2004
\nCall Number: PN1998.3.D47 I62 2004<\/a><\/p>\n

Jane Campion<\/em><\/strong>
\nBy Kathleen Anne McHugh.\u00a0 University of Illinois Press, 2007
\nCall Number: PN1998.3.C3545 M38 2007<\/a><\/p>\n

Jane Campion<\/em><\/strong>
\nBy Dana B. Polan.\u00a0 British Film Institute, 2001
\nCall Number: PN1998.3.C3545 P64 2001<\/a><\/p>\n

Jane Campion<\/em><\/strong>
\nBy Deb Verhoeven.\u00a0 Routledge, 2009
\nCall Number: PN1998.3.C3545 V47 2009<\/a><\/p>\n

Leni: the Life and Work of Leni Riefenstahl<\/strong>
\n<\/em>By Steven Bach.\u00a0 A. A. Knopf, 2007
\nCall Number: PN1998.3.R54 B33 2007<\/a><\/p>\n

Liv Ullmann: Interviews<\/em><\/strong>
\nBy Liv Ullmann, edited by Robert Emmet Long.\u00a0 University Press of Mississippi, 2006
\nCall Number: PN2768.U4 A3 2006<\/a><\/p>\n

Notes on a Life<\/strong>
\n<\/em>By Eleanor Coppola.\u00a0 Doubleday, 2008
\nCall Number: PN1998.3.C6699 A3 2008<\/a><\/p>\n

The Origins of Film. [Disc 3], America\u2019s First Women Film Makers; Origins of the Gangster Film<\/strong> (DVD)<\/em>
\n<\/em>Composed and performed by Philip Carli.\u00a0 Unapix Entertainment, Image Entertainment, 2001
\nCall Number: <\/em>PN1993.5.U6 O7524 2001 (At Boca Raton Media Center)<\/a><\/p>\n

The St. James Women Filmmakers Encyclopedia: Women on the Other Side of the Camera<\/strong>
\n<\/em>Edited by Amy L. Unterburger.\u00a0 Visible Ink Press, 1999
\nCall Number: PN1998.2.S683 1999<\/a><\/p>\n

Women and Experimental Filmmaking<\/em><\/strong>
\nEdited by Jean Petrolle and Virginia Wright Wexman.\u00a0 University of Illinois, 2005
\nCall Number: PN1995.9.E96 W66 2005<\/a><\/p>\n

Women Directors and their Films<\/em><\/strong>
\nBy Mary G. Hurd.\u00a0 Praeger, 2007
\nCall Number: PN1998.2 .H86 2007<\/a>
\nAlso available online via NetLibrary<\/a><\/p>\n

Women Directors: The Emergence of a New Cinema<\/strong>
\n<\/em>By Barbara Koenig Quart.\u00a0 Praeger, 1988
\nCall Number: PN1995.9.W6 Q37 1988<\/a><\/p>\n

Women Filmmakers in Early Hollywood<\/strong>
\n<\/em>By Karen Ward Mahar.\u00a0 Johns Hopkins University Press, 2006
\nCall Number: PN1995.9.W6 M32 2006<\/a><\/p>\n

Women Filmmakers in Mexico: The Country of which We Dream<\/strong>
\n<\/em>By Elissa Rashkin.\u00a0 University of Texas Press, 2001
\nCall Number: PN1993.5.M4 R33 2001<\/a><\/p>\n

Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity<\/em><\/strong>
\nBy Gwendolyn Audrey Foster.\u00a0 Southern Illinois University Press, 2007
\nCall Number: PN1998.2 .F672 1997<\/a><\/p>\n

Women Filmmakers: Refocusing<\/strong>
\n<\/em>Edited by Jacqueline Levitin, Judith Plessis, and Valerie Raoul.\u00a0 UBC Press, 2002
\nCall Number: PN1995.9.W6 W65 2003<\/a><\/p>\n

Women, Film, and Oceans a\/part: The Critical Humor of Tracey Moffatt, Monica Pellizzari, and Clara Law<\/em><\/strong>
\nBy Alessandra Senzani.\u00a0 Thesis (Ph.D.); Florida Atlantic University, 2008.
\nCall Number: NX001.5 .S459 2008
\n<\/a>Also available online via NetLibrary<\/a><\/p>\n

Women\u2019s Experimental Cinema: Critical Frameworks<\/em><\/strong>
\nEdited by Robin Blaetz.\u00a0 Duke University Press, 2007.
\nCall Number: PN1995.9.E96 W68 2007<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Week of March 1, 2010 (updated version) In the News: To kick off Women\u2019s History Month, we offer titles on women film directors. Kathryn Bigelow, the first woman to receive the Director\u2019s Guild of America Award for Best Feature Film, is one of the nominees for this year\u2019s Oscar for Best Director (The Hurt Locker, […]<\/p>\n","protected":false},"author":36,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,7],"tags":[],"class_list":["post-2494","post","type-post","status-publish","format-standard","hentry","category-books-in-the-library","category-in-the-news"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/posts\/2494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/comments?post=2494"}],"version-history":[{"count":6,"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/posts\/2494\/revisions"}],"predecessor-version":[{"id":2500,"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/posts\/2494\/revisions\/2500"}],"wp:attachment":[{"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/media?parent=2494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/categories?post=2494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/libweb.fau.edu\/blog\/wp-json\/wp\/v2\/tags?post=2494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}